The enduring depth of the charmingly shallow: 4 notes on the pleasures of North by Northwest
2) Among the set-piece scenes, I like the auction one especially in the way Roger subverts a social ritual of the rich in order to attract the police. An auction implicitly asserts the manners of the privileged class as it makes its artful purchases, but Roger undermines the ceremony until a woman says to him, "You're no fake. You're a genuine idiot," to which Cary Grant replies, "Thank you." The scene is not only very funny, it also shows how Roger is happy to play the cog in the fateful apparatus dictated by criminals and the CIA. According to the impossibly smooth Phillip Vandamm (James Mason), Roger will play a corpse next: "You're very next role. You will be quite convincing, I assure you." But Roger keeps finding ways to slide out of the storyline assigned to him. Roger embodies the disruptive element that revolts against the narrative he's in.
4) When I wrote earlier that the movie is shallow, it is also full of absences, given that the main earlier McGuffin of George Caplan doesn't exist at all, as much as Vandamm's men look for him, as much as Roger stumbles into embodying him. The end of the movie keeps returning to the blanks in what Roger calls "that same silly gun of" Eve's. Why is there so much emphasis on fake bullets? Are they supposed to be like little George Caplans, creating lots of effects, but not really existing? Are we meant to associate Roger's fake killing at the hands of Eve with the actual assassination of Lincoln whose visage looks out upon Mount Rushmore? As Vandamm says in his last line, "That's not very sporting, using real bullets."