Notable film and media links--April 12, 2009--special Easter edition
---The AV Club's thoughtful interview with Adventureland director Greg Mottola:
Men find Lulu irresistible, and she can’t help giving in. Unfortunately all the men she has romantic liaisons with meet an untimely demise. It’s never really her fault, and she can’t help it. It’s all in her nature, she’s a force to be reckoned with although she has no express desire to destroy. The film never suggests she’s evil, and in many ways it’s the men around her who are dumb, cruel and they bring their own doom. They treat her badly, and have made her what she is. Lulu is throughout the film a heroine, and the camera loves her like a goddess or a saint. Lulu is a young and beautiful woman who falls under the influence of powerful men, or more aptly… they fall under her spell. She has a huge control over their lives, though her naivety seems to suggest that she is unaware or passive to her manipulative quality and passion. Like Diary of a Lost Girl, Pabst shows how society demonizes and victimizes women. The film’s title referring to the Grecian myth of Pandora, the woman who unleashed all the evils of onto the world, is mostly ironic, a twist on common conceptions about gender identity and culpability. An interesting note is that the film also features what is commonly believed as the screen’s first lesbian character, and like Lulu, she is seen in a light of adoration as opposed to cruel condemnation. It’s interesting that a film decades before the sexual revolution and the rise of feminism, offers such an enlightened view on women and non-traditional sexuality (both same sex relationships, casual sex and even prostitution)."