Notable film and media links--December 3, 2009
ED HOWARD: What I appreciated about the film was how subtle it was, how introspective it was for an epic. In some ways, a lot of it doesn't even feel like a conventional epic. Sure, it's long, and filled with those widescreen crowd scenes that are pretty much the aesthetic bread and butter for the genre. It's even packed with Biblical allusions and Christ allegories, aligning it with the grand religious tales, from The Ten Commandments to The Passion of the Christ, that always seem to be prime subjects for these spectacles. But what sets Lawrence of Arabia apart from typical epics (which generally underwhelm me) is its texture. David Lean has a real eye—and ear; the film's soundtrack, beyond its bombastic score, is stunning—for details, for carving out emotions and themes from the smallest touches.
Sally Potter: "As a child, I probably knew every frame of Monsieur Hulot's Holiday. I knew the sequences off by heart. I think what indelibly struck me was not so much the comedy of it, which often felt slow, as the compassion in the observation: this observation of small moments, a swinging door. The emptiness of the soundtrack, which just has one or two effects dropped into it. Almost the feeling of it as a kind of meditation on loneliness and the social behaviour of people attempting to have a good time. It was the tragic part of the comedy that impressed me and the minimalism of the means with which it was realised. I think as a child I was experiencing it as a minimalist transcendent meditation more than as the work of a comic genius.I just quickly looked up something about Tati and discovered something which I hadn't known before, which was that he lived most of his life in poverty, having to raise mortgages on his previous films to raise money for the next ones. The solitariness of that position as a film-maker I realised was imbuing the films themselves with the melancholy. I found that a fascinating piece of hidden information about the work."
---The evolution of the hipster.
---Mini-mall marketing genius.
---Time to throw the laptop away: Cormac McCarthy's Olivetti.
---The art of getting noticed: Frederico Alvarez's Panic Attack!
---It is true that you can get noticed and published quickly thanks to Twitter.
---Our industrialized wasteland.
---Lastly, the mysterious Charlotte Gainsbourg/Beck video "Heaven Can Wait."