Video production class--day six--the long day's shoot
Alison: *doesn’t know what to do, pushes his arm away*: What’s wrong with you?
Kyle: Don’t. Touch it.
Alison: Touch what? That stupid picture? Pause. You don’t talk to me, your teammates, or your parents. You spend all day looking for her.
Alison: *sighs* Get over it. It’s just a picture
Kyle: looks up at Alison in the eye No. I just need time to find her; I just need some more time.
Alison: What if you can’t ever find her?. You are wasting your life being in love with her…Is this even love? It’s a one-sided obsession.
Kyle: stands up and kicks his chair away This is none of your business. Begins to gather stuff.
Alison: stands up too takes off and storms to the door, before she leaves I’m just looking out for you. If that’s too much, I’m done. She leaves.
Kyle: stands alone as scene fades to black."
Both the director and the cameraman/cinematographer wanted to shoot this scene in bits and pieces and edit it altogether, but I insisted that they try to make a master shot in case something went wrong. As the morning went on, and Kyle repeatedly threw a pile of magazines on the floor (a substitute for the kicked chair), I could sense that the crew was gradually developing some teamwork and flexibility. I especially liked the last shot, when Kyle stared blankly and uncertainly at Alison as she walks away. We darkened the shot by having the light dim on him gradually (moving the reflector away from the work lamp), and everyone was impressed by Kyle's acting, although he insisted that he was trying to look as blank as possible.
4) By the afternoon, we were lucky in that the art teacher loaned out her class to us as extras, so we shot a bunch of takes of the mysterious girl walking away in a crowd of students as Kyle chases after her, just to lose her as she turns down the physics hallway. I enjoy helping a class boss around a docile bunch of extras. When one student asked me what they should talk about, I said "Rutabaga, rutabaga." Later, she asked what a rutabaga was, I said "a vegetable," and she said "I knew it!" Later, I overheard her speaking of "salted rutabagas," and "rutabagas boiled in cream" as she moved with her group in formation. Eventually, we shot Kyle forcing his way through the crowd, with Alison more politely following after him. I suggested that we let the chase go on throughout the school, and the director was against the idea, so tomorrow I will try to persuade them to by showing the class a scene in Cocteau's Orphee when the Princess Death (the delightful Maria Casares) keeps evading Orphee by disappearing around a corner.
5) Lastly, we looked a the dailies over the cameraman's shoulder on his Mac laptop. They looked alright, but we'll know more when we project them on the big screen. Tomorrow, we will shoot the opening soccer sequence, a scene in a classroom, and a night scene in which our hero Kyle sleepwalks out into the night and gets run over by a van in his pajamas. If anyone reading this has any tips for effectively running someone over cinematically, please let me know. I will bring ketchup.
If you don't have this program to work with you can use your iMovie and Photoshop to get a similar effect but it will take a lot longer and will require a better than average knowledge of using Photoshop.
I totally identify with this! The Drama Club is always getting in trouble for filming near someone's space or for moving some chairs or something and forgetting to put them back. In order to create art, sacrifices must be made! Cold air in your work space? We're filming here! Suck it up!
One of the most popular short films made by one of my Film Club members was called "The Sad Story of a Most Horrible Accident" - or something like that. Anyway, the director set up all the shots herself:
SHOT: Van speeding around parking lot.
SHOT: Man crossing street
CUT TO: Van.
CUT TO: Man crossing.
CUT TO: Van.
CUT TO: Close up of man's reaction to seeing van.
CUT TO: Van approaching.
SHOT: Man on ground and van speeding away.
It was a comedy - so there was no need for any impact - but it worked because the parallel editing was done very nicely. For your video, some sort of handheld shakiness of the van and the man might work well before the shot of the van pulling away.
Looking forward to how it works! Be careful!